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<\/a><\/p>\nThere are moments when you can feel it: the art market is breathing. Vibrant, focused, international \u2013 that was the tone at Art Basel 2025. Collectors from over 90 nations came together, not just to browse but to acquire. Notably, many younger buyers were present, actively making decisions rather than just strolling the halls. The confidence in art as a long-term store of value remains strong. <\/p>\n
Roughly 280 galleries from 42 countries showcased over 4,000 artists. The quality was palpable, the offering focused. Rather than over-the-top presentations, the fair was characterized by quiet, curated displays. Blue-chip art was especially in demand. Works by the likes of Picasso, Hockney, and Warhol weren\u2019t just on view \u2013 they were actively sought after, serving as stable pillars in an otherwise volatile market. <\/p>\n
Once again, the “UNLIMITED” section \u2013 curated by Giovanni Carmine \u2013 stood out. This special exhibition featured large-scale installations, sculptures, and video works that simply wouldn\u2019t fit in a standard booth. The curation impressed, proving that contemporary art often needs space to resonate \u2013 and an audience willing to engage. The market isn\u2019t exuberant \u2013 but it\u2019s far from in crisis. Instead, it is reflective, resilient, and open to new directions. Art Basel also announced its expansion into Qatar for 2026 \u2013 a move likely to tap into new collector segments and deepen global dialogue. <\/p>\n
For our Art Advisory team \u2013 focused on collection building, curation, and strategic advice \u2013 Basel once again offered valuable opportunities to exchange with museum directors, galleries, collectors, and artists, as well as to closely monitor market developments. Our takeaway: collecting is becoming more selective, more deliberate \u2013 but still driven by enduring passion. <\/p>\n
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